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Australian Aboriginal fibre sculpture : ウィキペディア英語版
Australian Aboriginal fibre sculpture

The production of sculptural fibre objects has a long history within Australian indigenous culture. Historically such objects had practical or ceremonial purposes, and some appeared in both contexts. The terms “art” and “craft” are difficult to apply in historical contexts, as they are not originally Aboriginal conceptual divisions. However, in a contemporary context, these objects are now generally regarded as contemporary art whenever they are presented as such.〔Keller, Christiane, 'From Baskets to Bodies: Innovation Within Aboriginal Fibre Practice', Craft+Design Enquiry, Issue 2, 2010, p. 12〕 This categorisation is often applied to objects with historically practical or ceremonial applications, as well as a growing category of new fibre forms which have been innovated in the past decades and produced for a fine art market.
The border between Aboriginal fibre sculpture and fibre craft is not clearly delineated, and some works may be regarded as either depending on the context of their display and use.
==Traditional Aboriginal fibre sculpture==

There are various examples of sculptural fibre works in pre-contact Aboriginal societies. Among the Rembarrnga people of Central Arnhem Land, sculptural fibre objects are a central feature of ceremony. Participants dance with animal figures, which are constructed by binding a core of paperbark or grass with string made from bark or other fibres.〔Keller, Christiane, 'From Baskets to Bodies: Innovation Within Aboriginal Fibre Practice', Craft+Design Enquiry, Issue 2, 2010, p.13〕 Thus a dancer may take on the identity of the Ancestor figure.〔Keller, Christiane, 'From Baskets to Bodies: Innovation Within Aboriginal Fibre Practice', Craft+Design Enquiry, Issue 2, 2010, pp. 13-14〕 Djondjon or djawurn-djawurn figures from central and western Arnhem Land have a similar construction, but depict human forms. These were left behind at campsites which people had vacated. A longer or raised arm indicated to others the direction in which the group had gone.〔Keller, Christiane, 'From Baskets to Bodies: Innovation Within Aboriginal Fibre Practice', Craft+Design Enquiry, Issue 2, 2010, p. 13〕

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